After a dead stop, which feels like the finale, we get a reasonably lengthy coda, and this is more daring harmonically. But if this piece has the delicacy of a Gil Evans score, Bigband forty four is a jazz samba extra harking back to the jazz of 20 years later (’64). After an excellent Art & Music piano solo introduction by Fred Lang, gentle brass mixtures transfer in to introduce the theme, adopted by a mellow tenor sax assertion in opposition to guitar counterpoint. This one is basically interesting ensemble figures interspersed with nice sax solos.
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- In the varieties of plainchant, melody was used for textual illumination; the configurations of sound took their cue from the words.
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